{"id":4367,"date":"2017-11-21T15:23:51","date_gmt":"2017-11-21T14:23:51","guid":{"rendered":"http:\/\/www.francescomarano.info\/?p=4367"},"modified":"2018-02-15T18:31:18","modified_gmt":"2018-02-15T17:31:18","slug":"visual-ethnography-vol-6-n-1","status":"publish","type":"post","link":"https:\/\/www.francescomarano.info\/index.php\/2017\/11\/21\/visual-ethnography-vol-6-n-1\/","title":{"rendered":"Visual Ethnography &#8211; Vol. 6, N. 1"},"content":{"rendered":"<h3>Visual Ethnography<\/h3>\n<p><strong>Vol. 6, N. 1, June 2017<\/strong><\/p>\n<p><a href=\"http:\/\/www.vejournal.org\" target=\"_blank\" rel=\"noopener\">www.vejournal.org<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-4368\" src=\"http:\/\/www.francescomarano.info\/wp-content\/uploads\/2017\/11\/CoverVE2017-1-150dpi-piccola-206x300.jpg\" alt=\"\" width=\"206\" height=\"300\" srcset=\"https:\/\/www.francescomarano.info\/wp-content\/uploads\/2017\/11\/CoverVE2017-1-150dpi-piccola-206x300.jpg 206w, https:\/\/www.francescomarano.info\/wp-content\/uploads\/2017\/11\/CoverVE2017-1-150dpi-piccola.jpg 591w\" sizes=\"auto, (max-width: 206px) 100vw, 206px\" \/><\/p>\n<p><strong>VISUAL ETHNOGRAPHY. TOOLS, ARCHIVES AND RESEARCH METHODS<\/strong><br \/>\n<strong>Issue edited by Camilo Leon-Quijano and Florencia Mu\u00f1oz-Ebensperger<\/strong><\/p>\n<p><em><strong>Summary<\/strong><\/em><\/p>\n<p><a href=\"http:\/\/www.vejournal.org\/index.php\/vejournal\/article\/view\/112\" target=\"_blank\" rel=\"noopener\"><strong>VISUAL ETHNOGRAPHY: TOOLS, ARCHIVES AND RESEARCH METHODS. INTRODUCTION<\/strong><\/a><br \/>\nOpen access article. Register the journal to read it<br \/>\nCAMILO LEON-QUIJANO<\/p>\n<p><strong>FRAMING A STORY OF POSSIBILITIES: THE SUBJUNCTIVE MOOD OF A PARTICIPATORY PHOTOGRAPHY PROJECT IN SAN DIEGO, UNITED STATES<\/strong><br \/>\nMARIE KOFOD SVENSSON<\/p>\n<p><strong>LA PRATIQUE PHOTOGRAPHIQUE AU COEUR DE LA R\u00c9FLEXIVIT\u00c9. LA RESTITUTION DES DONN\u00c9ES D\u2019ENQU\u00caTES PAR L\u2019IMAGE<\/strong><br \/>\nCARINE CHAVAROCHETTE<\/p>\n<p><strong>L\u2019OS CREUX, LE FILM ET LE TAMBOUR. APPROCHE FILMIQUE ET EXP\u00c9RIENTIELLE DU CHAMANISME EN FRANCE<\/strong><br \/>\nLAETITIA MERLI<\/p>\n<p><strong>JEUX DE REGARDS AVEC L\u2019INVISIBLE<\/strong><br \/>\nMICH\u00c8LE CROS<\/p>\n<p><strong>THE DAY MY PHOTOGRAPHS DANCED: MATERIALIZING PHOTOGRAPHS OF MY ANISHINABE ANCESTORS<\/strong><br \/>\nCELESTE PEDRI-SPADE<\/p>\n<p><strong>TECHNIQUES OF MOBILISATION: DIALECTIC DEVELOPMENT OF SHAREDNESS THROUGH VIRTUAL AND ON-THE-GROUND PRACTICESSANNE BERGH<\/strong><\/p>\n<p><strong>WHAT DOES FACEBOOK MEAN FOR THE Y\u00c3RSANI PEOPLE<\/strong><br \/>\nBEHNAZ HOSSEINI<\/p>\n<p><a href=\"http:\/\/www.vejournal.org\/index.php\/vejournal\/article\/view\/131\" target=\"_blank\" rel=\"noopener\"><strong>LA P\u00c9RENNISATION DU QUOTIDIEN : ETHNOGRAPHIE VISUELLE ET MAT\u00c9RIELLE DES INT\u00c9RIEURS DOMESTIQUES D\u2019UNE RUE DE PARIS<\/strong><\/a><br \/>\nOpen access article. Register the journal to read it<br \/>\nFLORENCIA MU\u00d1OZ-EBENSPERGER<\/p>\n<p><a href=\"http:\/\/www.vejournal.org\/index.php\/vejournal\/article\/view\/132\" target=\"_blank\" rel=\"noopener\"><strong>PHOTO-ESSAY CELEBRATING LOCALITY: A SMALL FAIR NEAR KIFISSOS RIVER<\/strong><\/a><br \/>\nOpen access article. Register the journal to read it<br \/>\nURSULA-HELEN KASSAVETI<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Visual Ethnography Vol. 6, N. 1, June 2017 www.vejournal.org VISUAL ETHNOGRAPHY. TOOLS, ARCHIVES AND RESEARCH METHODS&#8230;<\/p>\n","protected":false},"author":1,"featured_media":4370,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[205],"tags":[],"class_list":["post-4367","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academy"],"_links":{"self":[{"href":"https:\/\/www.francescomarano.info\/index.php\/wp-json\/wp\/v2\/posts\/4367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francescomarano.info\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.francescomarano.info\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.francescomarano.info\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francescomarano.info\/index.php\/wp-json\/wp\/v2\/comments?post=4367"}],"version-history":[{"count":1,"href":"https:\/\/www.francescomarano.info\/index.php\/wp-json\/wp\/v2\/posts\/4367\/revisions"}],"predecessor-version":[{"id":4369,"href":"https:\/\/www.francescomarano.info\/index.php\/wp-json\/wp\/v2\/posts\/4367\/revisions\/4369"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.francescomarano.info\/index.php\/wp-json\/wp\/v2\/media\/4370"}],"wp:attachment":[{"href":"https:\/\/www.francescomarano.info\/index.php\/wp-json\/wp\/v2\/media?parent=4367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.francescomarano.info\/index.php\/wp-json\/wp\/v2\/categories?post=4367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.francescomarano.info\/index.php\/wp-json\/wp\/v2\/tags?post=4367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}